Wednesday, May 05, 2010
Paul McCartney Sets Record For Fastest Ever Selling Show
Macca mania has hit the streets of Mexico City! Paul McCartney's forthcoming show at the Foro Sol Stadium on Thursday May 27th is set to be a wild night. The people of Mexico have made it clear to their musical hero that they are desperate to see him and can't wait to be rocked. Tickets for the 60,000 capacity stadium sold out in literally a matter of minutes, setting a brand new record! In fact sources at Ticketmaster Mexico think the tickets could have gone even faster but the technology couldn’t support the overwhelming demand!
http://www.paulmccartney.com/news.php#/1915/2010-04
Wednesday, January 20, 2010
Tuesday, September 29, 2009
Lucy Vodden loses brave battle with lupus

Lucy was the childhood friend of Julian Lennon and the inspiration for the Beatles' 1967 psychedelic classic "Lucy in the Sky with Diamonds".
Julian and Lucy were linked together by something that happened more than 40 years ago when Julian brought home a drawing from school and told his father, "That's Lucy in the sky with diamonds."
She added "I am sure that many people will wish to pass on their support to Lucy's family and they can do so via the St. Thomas Lupus Trust by e-mailing fundraising@lupus.org.uk."Lucy Vodden was at nursery school in Weybridge with John Lennon's son Julian, who one day took home a drawing of a girl surrounded by stars.
When John asked him to describe he said, "It's Lucy in the sky with diamonds"
Sunday, September 27, 2009
The Beatles Stereo Box Set

FEATURES:
-Dimensions: 12"x6"x3"
-Description:
Hard black glossy lift top with magnet clasp
CDs packaged in three panel digi-pak with digital mini documentaries
-Contains:
All 13 Studio remasters plus Past Masters
(digi packaging with digital mini documentaries)
Please Please Me
With The Beatles
A Hard Day's Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles
Yellow Submarine
Abbey Road
Let It Be
Past Masters
Also includes a DVD of all 13 mini-documentaries (Running time: 40 minutes)
Who could have ever thought it would have been possible? 09/09/09 has become a red-letter date in the history of Beatle-dom. It could be the repetitive nature of the phrase "Number Nine, Number Nine" featured in the track "Revolution 9" from "The White Album". Or, even the bit of dialogue "dial 9-9-9" from the 1965 motion picture "Help!" However, 09/09/09 has become important for a far better reason.
Each CD is carefully and painstakingly put together in a very special 3-border fold-out, which allows the CD to be housed in a slot on the far right-hand side (except for the double discs, which have their CDs fitted inside the packaging). Each title also comes with a special CD booklet containg many unreleased photographs that represent the time when each album was originally released, plus well-written liner notes (including the original notes from the first 4 albums). The "Yellow Submarine" booklet contains both the original UK and US back cover notes together for the very first time. And, what a thrill it is to finally be able to have the photo/comic-strip booklet from "Magical Mystery Tour", that was initially issued in the American LP in 1967, in an official CD release for the very first time. The "White Album" packaging includes the original poster, in a CD sized reproduction, that features the photo collage on one side, and the album's song-lyrics on the other side. This marks the second time that this poster was made available in a "White Album" CD release, following the 30th anniversary reissue from 1998.
The sound quality of the songs are, without a doubt, the very best that I have ever heard before. For the first time, the audio quality of each track is sharp, crisp, crystal clear and truly an audiophile's dream come true. It should also be noted that the songs "Love Me Do" (both versions), "P.S. I Love You", "Only A Northern Song", "She Loves You", "I'll Get You" and "You Know My Name (Look Up The Number)" are all presented in their original monaural mixes, whereas the remaining songs are all in true stereo. Even "I Am The Walrus" still has its orignal mix of half-stereo/half-duophonic, just like the first time around. All in all, this box set far surpasses all other box sets that have come before.
And, the bonus DVD of the mini documentaries is also well-produced. Each segment features audio comments from The Beatles themselves along with George Martin. This DVD gives a fascinating insight into why these classic albums have stood the test of time so well, and continue to be so popular, even into the 21st century.
Many current and legendary artists have called The Beatles a major influence. One listen to this music and you too will see why. Beatlemania will live on forever!
Timothy Swan "disc jockey" (Boring, Oregon USA) |
The Beatles Mono Box Set

Product Description
FEATURES:
-Dimensions: 5.75" x 5.38" x 2.63"
-Description:
·Hard white glossy slip box
·Limited edition
·CDs packaged as mini LP replicas (replica artwork, sleeves and gatefolds)
·Remastered by Paul Hicks, Sean Magee with Guy Massey and Steve Rooke
-Contains:
Original Mono version - 11 albums (12 discs)
+= mono mix CD debut
·Please Please Me
·With The Beatles
·A Hard Day's Night
·Beatles For Sale
·Help! (CD also includes original 1965 stereo mix)+
·Rubber Soul (CD also include original 1965 stereo mix)+
·Revolver+
·Sgt. Pepper's Lonely Hearts Club Band+
·Magical Mystery Tour+
·The Beatles+
·Mono Masters (features all of the mono tracks that appeared on singles, EPs. or that never made it onto the 13 albums)
-Essay written by Kevin Howlett
*note: Yellow Submarine, Abbey Road and Let It Be are not included, as they were originally recorded in stereo
Thursday, April 16, 2009
1961 | Performance at the Top Ten Club, 136 Reeperbahn, Hamburg, Germany. |
1963 | BBC-TV's `625 Show' broadcast (filmed 13 April 1963). |
1964 | Interview with Ed Sullivan in London, during `A Hard Day's Night' shootings. |
1964 | Studio 2. 10.00am-1.00pm. Recording: `A Hard Day's Night' (takes 1-9). Producer: George Martin; Engineer: Norman Smith; 2nd Engineer: Geoff Emerick. Afternoon. St John's Secondary School (Church of England), London. Outside location filming for `A Hard Day's Night': scene at police station. |
1964 | Heathsfield Street, London. Shooting for `A Hard Day's Night'. |
1964 | `The Portland Arms' pub, London. Shooting for `A Hard Day's Night' (scene deleted from film). |
1965 | Wembley TV Studios, Wembley, Middlesex. George and John are interviewed for the TV programme `Ready Steady Goes Live!'. |
1966 | Studio 2. 2.30pm-1.30am. Recording: `Rain' (overdub onto take 5, tape reduction take 5 into take 6; takes 7-8). Mono mixing: `Rain' (remixes 1-4, from take 7). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Richard Lush. |
1967 | Performance of the Impressions at the Saville Theatre. [?] |
1967 | Performance of Bo Diddley, Ben E. King and the Alan Bown Set at the Saville Theatre. |
1969 | Studio 3. 2.30-5.00pm. Recording: `Old Brown Shoe' (take 1). Producer: George Martin; Engineer: Phil McDonald; 2nd Engineer: Richard Lush. Studio 3. 7.00pm-2.45am. Recording: `Old Brown Shoe' (takes 1-4); `Something (takes 1-13). Stereo mixing: `Old Brown Shoe' (remixes 1-3, from take 4). Producer: George Martin; Engineer: Jeff Jarratt; 2nd Engineer: Richard Lush. Recording of 2nd demo (2.30-5.00pm session) and 1st proper take (7.00pm-2.45am session) of `Old Brown Shoe'. |
1971 | UK single release: `It Don't Come Easy'/`Early 1970'. |
1971 | Paul and Linda McCartney appear on the cover photograph of `Life' magazine. Magazine includes Paul's interview. |
Tuesday, April 14, 2009
Today In Beatles History
April 14
- 1963
- Teddington TV Studios, Middlesex. Filming for ABC-TV's 'Thank Your Lucky Stars'.
After they drive to the Crawdaddy Club.
Evening. The Beatles see the Rolling Stones at the Crawdaddy Club, Richmond, Surrey, London.
After the show, party at Jagger, Jones and Richards's flat (102 Edith Grove, West Brompton, London). The Beatles attend, staying until 4am. - 1964
- Arlington Road (at Rosslyn Road), St Margaret's, Twickenham, Middlesex. Shooting for 'A Hard Day's Night': traffic jam scene (deleted from film).
- 1965
- 'Ticket To Ride' number 1, 1st week in the ranking (UK New Musical Express chart).
Ailsa Avenue, St Margaret's, Twickenham, Middlesex. Shooting for 'Help!': the Beatles get into 4 houses.
- 1966
- Studio 3. 2.30-7.30pm. Recording: 'Paperback Writer' (overdub onto take 2).
Studio 3 (control room only). 7.30-8.00pm. Mono mixing: 'Paperback Writer' (remixes 1, 2, from take 2).
Studio 3. 8.30pm-1.30am. Recording: 'Rain' (takes 1-5). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Richard Lush. - 1969
- Studio 3. 2.30-9.00pm. Recording: 'The Ballad Of John And Yoko (They're Gonna Crucify Me)' (working title of 'The Ballad Of John And Yoko') (takes 1-11). Studio 3 (control room only). 9.00-11.00pm. Stereo mixing: 'The Ballad Of John And Yoko (They're Gonna Crucify Me)' (working title of 'The Ballad Of John And Yoko') (remixes 1-5, from take 10). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: John Kurlander.
1st session for 'The Ballad Of John And Yoko'/'Old Brown Shoe'. - 1990
- Paul's concert in Miami ('Get Back' tour).
Monday, April 13, 2009
Today In Beatles History
April 13
- 1962
- Start of Star Club performances.
- 1963
- Studio E, BBC Lime Grove Studios, London. Filming appearance on BBC-TV's 'The 625 Show'. 1st BBC-TV appearance.
Evening. Home of Bruce Welch, 157 Headstone Lane, North Harrow, Middlesex. Party thrown by Welch. The Beatles attend. They meet Cliff Richard for the first time. - 1964
- The title of the new film, 'A Hard Day's Night', is announced to the press.
US gold certification: 'The Beatles' Second Album'.
- 1965
- Studio 2. 7.00-11.00pm. Recording: 'Help!' (takes 1-12). Producer: George Martin; Engineer: Norman Smith; 2nd Engineer: Ken Scott.
The Beatles receive two Grammy Awards for 1964: Best New Artist Of 1964 and Best Performance by a Vocal Group ('A Hard Day's Night').
- 1966
- 'Rubber Soul', 19th week in the Top 10 (UK New Musical Express chart).
Studio 3. 2.30-6.30pm. Recording: 'Granny Smith' (working title of 'Love You To') (tape reduction take 6 into take 7, overdub onto take 7). Mono mixing: 'Granny Smith' (working title of 'Love You To') (remixes 1-3, from take 7). Editing: 'Granny Smith' (working title of 'Love You To') (of mono remixes 1-3).
Studio 3. 8.00pm-2.30am. Recording: 'Paperback Writer' (takes 1-2). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Richard Lush. - 1969
- Article accusing Allen Klein is published on 'Sunday Times' 'Insight' column.
Monday, January 12, 2009
Monday, December 01, 2008
White Album #5 sells for almost $30,000.00 US
Beatles - White Album UK 1968 Mono LP Cover No.0000005 sold on Ebay UK on 23-Nov-08 21:43:36 GMT
The winning bid was £19,201.00 British Pound or $29,117.70 US dollarsThe History of No.0000005
Some years ago, this album was taken into the collectors shop named 'Vinyl Revival Records' in Newbury, Berkshire, England by a musician (they did not disclose who) who had visited John in the flat that he shared with Yoko in late 1968 (that was owned by Ringo) at 34 Montague Square, Marylebone, London W.1. The musician saw a pile of White Albums on a table and asked for one. John readily agreed, but said 'Don't take No.1 - I want that'. Instead he took No. 5'.
The album then passed into the hands of Beatles specialist dealer 'Good Humour' who then sold it to its current owner who has now commissioned me to sell it on his behalf.
http://cgi.ebay.co.uk/Beatles-White-Album-UK-1968-Mono-LP-Cover-No-0000005_W0QQitemZ110312162347QQcmdZViewItem#ebayphotohosting19,201.00 British Pound = 29,117.7 US DollarFriday, November 21, 2008
We are the people we have been waiting for

Whaledreamers - the title alone evokes hypnotic visions of these most magnificent and ancient creatures. This visually stunning film offers an incredible glimpse into a rarely seen and scarcely understood tribal culture whose entire story of creation revolves around whales and has endured for centuries. The film passionately explores the connection between the subtle elegance of these mothers of the sea and ancient civilizations and is an appeal to embrace all living beings thereby creating the unity and peace which the Earth itself can bring.
whaledreamers
Thursday, September 11, 2008
The Rutles
The Rutles - All you need is cash
The Rutles CD
1. Goose-Step Mama
2. Number Two
3. Baby Let Me Be
4. Hold My Hand
5. Blue Suede Schubert
6. I Must Be In Love
7. With A Girl Like You
8. Between Us
9. Living In Hope
10. Ouch!
11. It's Looking Good
12. Doubleback Alley
13. Good Times Roll
14. Nevertheless
15. Love Life
16. Piggy In The Middle
17. Another Day
18. Cheese And Onions
19. Get Up And Go
20. Let's Be Natural
The Rutles 2 - Can't Buy Me Lunch
The Pre-Fab Four are back, and severely earnest television journalist S.J. Krammerhead (Eric Idle) is hot on their story once again in The Rutles 2: Can't Buy Me Lunch. A welcome sequel to Monty Python star Idle's 1978 mockumentary The Rutles: All You Need Is Cash, Can't Buy Me Lunch looks back on the mythical Liverpool quartet's long and winding road. Meet anew the group's caustic leader Ron Nasty (Neil Innes), cute bassist Dirk McQuickley (Idle), quiet guitarist Stig O'Hara (Rikki Fataar), and lovable drummer Barry Womble (John Halsey) as they sprint from the Cavern Club through "A Hard Day's Rut," "Tragical History Tour" and beyond. Krammerhead combines new celebrity interviews (Conan O'Brien, Tom Hanks, Bonnie Raitt) with re-edited footage and outtakes from the first film, and while the result isn't as sharp or urgent as Idle's original parody, Can't Buy Me Lunch has many funny moments and good inside jokes for Beatles enthusiasts. --Tom Keogh
Archaeology
From a postmodern perspective, it's entirely fitting for the Rutles, the Beatles spoof band started by Eric Idle (Monty Python) and Neil Innes (Bonzo Dog Band) in 1978, to come back in the mid-'90s. After all, the Beatles did with Anthology, the albums and the documentary. Hence the new Rutles release, Archaeology. But as Spinal Tap proved with its 1992 comeback album, the joke is never as funny the second time around. In any event, the 16 songs on Archaeology are smartly written, deftly recorded, spot-on parodies of the Beatles tunes we hear daily in elevators and dentists' offices. You knew they would be. "Major Happy's Up and Coming Once Upon A Good Time Band" takes on "Sgt. Pepper's," of course, and segues neatly into "Rendezvous," in which the Rutles' drummer is none too happy to get a little help from his friends. "Joe Public" lovingly skewers "Tomorrow Never Knows," as well as the concept of mass-market merchandising, while the single and video "Shangri-La" mix "Magical Mystery Tour" and "All You Need Is Love." But towards the end, the Rutles are running so short on material that they're parodying solo Ringo ("Easy Listening") and Wings ("Eine Kleine Middle Klasse Musik"). The question is: Why bother? The original did all this the first time. The Beatles satirize themselves whenever they attempt anything new. (Don't forget the Traveling Wilburys, or McCartney's foray into ambient house with Youth as the fireman. And let's not even start with Richard Starkey.) And you can hear the ultimate Beatles goof just about any time you turn on modern-rock radio. It's name is Oasis, and if there's a better argument that it's time for phony Beatlemania to bite the dust, I have yet to hear it. Jim Derogatis
Friday, June 27, 2008
Tuesday, February 05, 2008
Tuesday, November 27, 2007
Thursday, August 23, 2007
Sunday, August 05, 2007
The Fab Four Virtual Synth

FAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments and authentic rare EMI recording equipment the Beatles used to create their music.
FAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including "A Hard Days Night", "Help", "Rubber Soul", "Magical Mystery Tour" (engineer), and "The Beatles" (engineer) - also known as the "White Album".
Drummer DENNY SEIWELL and Guitarist LAURENCE JUBER were both members of Paul McCartney and Wings.
"The Beatles had a profound impact on me musically," said FAB FOUR producer DOUG ROGERS, "and were the influence for my fascination with sound. They were musical geniuses that never rested on their laurels, always producing exciting new music and sounds with each new record, much of it ground-breaking! Putting this project together took well over a year of research, equipment procurement (much of it from collectors), and putting together a team that could pull off such a feat; but it was a labor of love for us all, and the result is truly worth it." No expense was spared finding the same kind of period instruments and rare authentic EMI and other recording equipment the Beatles used to create their sounds to produce this collection, much of which, ironically, will end up in EASTWEST Studio 3, where the Beach Boys "Pet Sounds" was recorded, the inspiration for the Beatles "Sgt. Pepper's Lonely Hearts Club Band" album, according to Paul McCartney. Well over a million dollars worth of instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube and TG12345 desks), outboard equipment (including Fairchild limiters and EMI RS124 modified Altec compressors), and Studer J-37 tube multi-tracks were used in this production. If you are a film/tv/game composer, or a musician/producer looking for sounds not found in other collections to create with, this is it. Blending these unique and sometimes bizarre sounds with today's music should enable you to produce something truly spectacular!
Listen to some tracks made with Fab Four...
Click here to view the full Amazon listing for Fab Four
Thursday, February 22, 2007
The Beatles Videos
Songs
| The Get Back Sessions Let It Be - The Movie |